A lazy beat and sunny melody glide along, but it’s the brilliantly lyrical and endlessly quotable wordplay that Dre wrings from featured rapper Snoop Dogg that makes it so infectious. The opening keyboard trill on this standout track from Dre’s 1992 album, The Chronic, is practically synonymous with the West Coast sound. Dre: Nuthin’ but a “G” Thang (from The Chronic, 1992) The synth stabs and bouncy string samples hit on off beats, giving the tune a slightly aggressive feel, building tension throughout the track.ĭr. Dre’s most celebrated beats both because the song was a massive hit and it features some of Dre’s most interesting production techniques. The beat features a sample from “Mais dans la lumière” by Mike Brant, giving it an old-timey feel, which Dre eventually flips with head-banging drums and triumphant horns.ĥ0 Cent: In Da Club (from Get Rich or Die Tryin’, 2003)ĥ0 Cent’s “In Da Club” features one of Dr. Dre s 1992 album, The Chronic, rapping on half of the 16 tracks, including all the hit singles, so it wasnt like he was an unknown force when Doggystyle was released in late 1993. Snoop had already debuted as a featured rapper on Dr. Listening to Eminem, Dre, and 50 Cent trade bars over a classic Dre beat is rap history happening in real-time. If Snoop Dogg s debut, Doggystyle, doesnt seem like a debut, its because in many ways its not. #FAMOUS SNOOP DOGG SONGS PLUS#That, plus Ice Cube’s clever reference to “It Was A Good Day,” gives the song a throwback feel.Įminem: Crack A Bottle (Feat. Paak, and Dem Jointz, “Issues” is highlighted by a thrilling sample of Turkish psych guitar hero Selda. Paak, & Dem Jointz) (from Compton, 2015)Īssisted by Ice Cube, Anderson. On “It’s All On Me,” Dre brings Justus back into the fold to help assist BJ The Chicago Kid on his 70s soul-inspired beat, highlighted by subtle conga drums that give the song its distinct feel. Justus and BJ The Chicago Kid) (from Compton, 2015) Dre arranges a dizzying beat, highlighted by lo-fi funk drums and skittering melodic runs that give the song its unnerving, gritty feel. Kendrick Lamar, Marsha Ambrosius, and Candice Pillay) (from Compton, 2015)Īfter the pyrotechnics of “Talk About It,” Dre and his team dive into “Genocide,” a track that features Kendrick Lamar, British songwriter Marsha Ambrosius, and South African singer Candice Pillay. The invigorating track features Dre using every trick in the bag, playing with a variety of percussive accents and vocal layers that gives the song a 3-D feel. Mez and Justus) (from Compton, 2015)Īfter the “Intro,” Dre’s Compton kicks off with the electric “Talk About It,” which features Kentucky-born MC Mez and Louisiana spitter Justus. Speaking of drum sounds, it’s hard to think of a snare sound in rap more massive or more celebrated than Dre’s work on the World Class Wreckin’ Cru’s “Turn Off The Lights.” It’s a fascinating look into Dre’s production style before he helped create g-funk. World Class Wreckin’ Cru: Turn Off The Lights (from Turn Off the Lights (Before the Attitude), 1991) Blige’s “Family Affair,” Dre cues up a crispy, meticulously sequenced drum sound that perfectly highlights Blige’s innovative half-rapped, half-sung flow. Blige: Family Affair (from No More Drama, 2001)ĭre is rightfully celebrated for g-funk synths, but this praise often does a disservice to his perfect drum sounds.
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